«The book is oversized and brilliantly produced. (…)
I would say it is as effective as art as a social criticism of the urban environment. It has my highest recommendation.»

Brad Feuerhelm, ASX

«Rosenkranz deals quite explicitly with the codes and aesthetics of classic documentary photography. However, his photographs of urban metropolises are montages and show a fragmented reality. Rosenkranz cuts the images right down the middle. Using a simple black-and-white laser copy (...). In this way, the artist does not aim to depict the contingency of a street, but–by shifting the architectural and social perspectives–to document the fragmentation of living environments within urban structures and city culture.»

Christin Müller, KUNSTFORUM INTERNATIONAL

«The book is oversized and brilliantly produced. (…)
I would say it is as effective as art as a social criticism of the urban environment. It has my highest recommendation.»

Brad Feuerhelm, ASX

«Rosenkranz deals quite explicitly with the codes and aesthetics of classic documentary photography. However, his photographs of urban metropolises are montages and show a fragmented reality. Rosenkranz cuts the images right down the middle. Using a simple black-and-white laser copy (...). In this way, the artist does not aim to depict the contingency of a street, but–by shifting the architectural and social perspectives–to document the fragmentation of living environments within urban structures and city culture.»

Christin Müller, KUNSTFORUM INTERNATIONAL